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The Piano Corner | Da Capo
A return to the beginning — yet richer, deeper, and truer.

In memoriam of my father, the finest teacher I ever had. His lessons tempered my integrity and deepened my musicianship, teaching me that every note must speak truth and serve what is greater than oneself. Though he has left this world, his voice still lives in mine, and his example guides every bar I play and every word I write.

Photography by Pasit (Sun) Prakrittiwes

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The first time I encountered the writings of Walter Schuermans, I felt as if something deep and forgotten resonated within myself. He belongs to that exceedingly small number of people who are attempting to restore the broken link between music and spirituality - or, even better, between music and humanity. He knows that music expresses the whole human person and that, to understand music, we first need to embrace the human being as a whole. Hence, his sensational breadth of culture and interests, from Zen philosophy to Anthroposophy to traditional Eastern medicine, all linked together towards a greater understanding of the human being and, consequently, of the musician. His writings are like a fresh rediscovery of the most profound truths: from the true essence of music-making, resorted to a dimension of purity, origin, and innocence, to the spiritual treasures hidden in the music of the great composers, which

he can uncover in a few, elegant sentences - as it is evident in his series of articles on Beethoven. I cannot imagine a better guide and mentor for a young, developing artist. His words are like seeds planted in one's inner space; if listened to with quietude, they germinate, elevate the soul, and indicate the way.

Walter Schuermans is a most splendid example of a true teacher and true pedagogue; his words are light amidst the darkness and confusion of our times.                                                                                  

Dr. Thomas Schwan

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About Me.

I am, above all, a pianist shaped not by institutions, but by time, solitude, and a lifelong dialogue with the great works.

My path seeks neither brilliance nor recognition, but preservation, service, and deep listening.

Music, in its highest form, is not performance but transmission. It demands discipline, surrender, and truth.

For more than thirty years, I have guided students, many from Japan, through the immense landscape of the piano repertoire from Bach’s first inventions to Beethoven’s last confidences. The restraint of Zen has marked these years, the sobriety of Japanese aesthetics, and a culture that honours silence as much as sound. These encounters have transformed me as deeply as the music itself.

My approach is slow and rooted in integrity. I do not work to impress, but to understand and to help others understand as well. Technical virtuosity, though necessary, is not enough; it must be anchored in inner calm, ethical intention, and respect for the living source of music. My writings are not intended to instruct in the usual sense, but to inspire: to awaken resonance in those who read so that they may find their own path to the heart of music.

Alongside the piano, I am a certified Qigong instructor and am completing my studies in Traditional Chinese Medicine. These disciplines are not separate from music, but continuations of the same search. They deepen my understanding of the body, the breath, and the silent intelligence of gesture.

I weave them naturally into my teaching, offering an approach to piano playing that is grounded in body, breath, and heart.

I write and share for those who recognize something of themselves in these words. If what I express resonates within you, you are welcome here. If not, I wish you the strength and courage to follow your own path. True affinity cannot be forced; it reveals itself only in time.

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​To those who may seek to distort or diminish my work, I respond first with understanding, for confusion and suffering often lie at the root of such impulses. Yet I remain standing, serene and without bitterness, ready to defend what I have built and protected. And I will defend it, if need be.

This path is not flamboyant, nor is it meant to be. But it is true. And in an age when so much is rushed, noisy, and uprooted, I remain faithful to the quiet labour that artlike life asks of us: to refine, to preserve, and to serve what is greater than ourselves.

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